GUINN "BIG BOY" WILLIAMS Person Information. (Sad note to the Will Rogers, Jr., story, however. After serving during the First World War, he tried his hand at baseball and rodeo before finding his way to Hollywood. Guinn 'Big Boy' Williams Movies - Guinn 'Big Boy' Williams Famous movies at About. Although he also starred in a series of low-budget westerns in the early and mid-1930s, he really came into his own as a supporting player in the late 1930s and early 1940s, especially at Warner Bros., where he appeared in such resoundingly successful westerns as Dodge City (1939) and Santa Fe Trail (1940) with his friends Errol Flynn and Alan Hale. At any rate, Rogers is reported to have exclaimed, as he looked up at the big, burly, six-foot two, redheaded cowboy, "My, you're a big boy!" Errol Flynn: Jack Marino's Salute to the Fabulous Flynn! The first of the series was entitled THE JACK RIDER, issued in 1921. In the early 1960s Williams' health began to deteriorate, which was noticeable in his last film, The Comancheros (1961), in which he had a small part and, sadly, did not look well at all. These bottom-of-the-ladder productions, such as BLAZE AWAY and TRAIL OF HATE, released in late '22, didn't do much for Big Boy's opportunity to acquire a great following since there was little or no publicity or a consistent booking policy. Credits list him starring or appearing in over 40 films during this period, 26 of them starring Westerns. There were simply too many cowboys around, and as someone once said, "shake any tree in and around Hollywood and a shower of cowboys would fall out." Film reviewers of the trade papers generally gave the new star good ratings, praising him for having the necessary and natural potential for solid stardom, noting that the enthusiasm he put into his films came across in a genuine manner. "Big Boy" Williams is also a familiar name to devotees of Orson Welles; it was Williams who once accosted Welles in a parking lot and cut off the "boy wonder's" necktie. Youngsters were often scene-stealers and the son of the great humorist-cowboy, young Rogers proved just that. Guinn 'Big Boy' Williams is a member of the following lists: 1962 deaths, American film actors and California Democrats. Although his father wanted him to attend West Point (he had been an officer in the Army during World War I), Williams had always wanted to act and made his way to Hollywood in 1919. The following year, Big Boy would appear in another Rogers film, CUPID, THE COWBOY, playing the role of a character named 'Hairoil Johnson'. Although he would go from Hollywood to Washington and serve as a U. S. Congressman, he died of a self-inflicted gunshot wound to the head in 1993. While he starred in several inexpensive silent and sound Westerns, Williams is better known for his comedy relief work in such films as Private Worlds (1935), A Star Is Born (1937), Professor Beware (1938), and Santa Fe Trail (1940). The brothers went through several name variations for their Poverty Row company - it was Beacon ... then Normandy ... and finally, Colony Pictures. Guinn Terrell Williams Jr. The 1935 LAW OF THE 45's may be Big Boy Williams' most important picture since it was certainly one of the most pivotal films of the 30's. During this period, he would appear in a number of non-Westerns, including two films that brought him into contact with his first love - baseball - when he donned the uniform for roles in SLIDE KELLY SLIDE ('27) and THE BABE COMES HOME, released the same year. His big sound break came in 1934. But while the Seeling series was good, due mostly to Williams's performances, Big Boy's pictures would be pretty much relegated to the independent market. Appearing in the latter film was an un-billed Myrna Loy, who was working her way to become one of the leading ladies of the screen. The Alexanders offered Big Boy a contract to star in a series beginning with THUNDER OVER TEXAS ('34). In 1922, Williams signed a three-year contract with another obscure producer named Frederich Herbst for six films to be directed by W. Hughes Curran and distributed on the independent market by DiLorenzo, Inc. He was the son of Minnie and Guinn Terrell Williams, a U. S. Congressman from the 13th Texas District and successful stockman and banker. Nicknamed "Big Boy" by his friend and frequent coworker Will Rogers, beefy Western star Guinn Williams was the son of a Texas congressman. They called him 'BIG BOY' and for good reason - he was big. His characterization was laced with a touch of comedy, which would prove to be a valuable asset in his later work, but he also came across as a strong, forceful hero type. Interestingly, cast in the role as his sidekick, in these early pictures was little Will Rogers, Jr., whom it is said to have made Williams work hard to stay ahead. The brothers migrated to Hollywood in the 1930s. In Like Flynn – Errol Flynn Official Website. Big Boy would remain busy during the years prior to the coming of sound, playing roles that called for his kind of characterization. It's interesting to note that the story is credited to Williams, who also wrote scripts for two other Westerns, THE VENGEANCE TRAIL ('21) and RED BLOOD AND BLUE ('25). And from then on Guinn would become 'Big Boy' Williams, star of his own silent and sound Western series and later a strong supporting character actor over the next four decades. It is the same theme used again some 34 years later in the Sam Peckinpah classic, THE WILD BUNCH. American Actor Guinn 'Big Boy' Williams was born Guinn Terrell Williams Jr on 26th April, 1899 in Decatur, Texas, USA and passed away on 6th Jun 1962 Hollywood, California, USA aged 63. Williams would later marry one of his leading ladies. After attending North Texas State College, Williams played pro baseball and worked as a rodeo rider before heading to Hollywood in his teens to try his luck in films. Big Boy was selected to play the role of Tucson 'Two-Gun' Smith, the role so aptly played in the Republic series by Crash Corrigan. Directed by Universal's Edgar G. Ulmer (under the alias of John Warner) and scripted by Ulmer's wife, Sherle Castle (pronounced Shirley), it featured a solid cast consisting of such notables as ingénue Marion Shilling, Philo McCullough, Helen Westcott, and with some comedy relief from the ever-present and often hapless Ben Corbett. Big Boy's next big role came in the 1931 Johnny Mack Brown outing, THE GREAT MEADOW, a story of life on the early American frontier. Added to these shortcomings, it wasn't long before Herbst went bankrupt, leaving Williams looking for another producer. He is most remembered for Santa Fe Trail. A curious side note to this movie is the background music played in a cantina visited by Smith and Martin. The Beacon series proved to be good, strong oaters. He moved back to Aywon, somewhat better known among the independent market, and was able to turn out some fairly polished and entertaining Westerns until the mid-20's when he drifted more into supporting roles, usually as a heavy. Guinn "Big Boy" Williams (April 26, 1899 – June 6, 1962) was an American actor who appeared in memorable westerns such as Dodge City (1939), Santa Fe Trail (1940), and The Comancheros (1961). Williams specialized in the somewhat dim and quick-tempered but basically decent sidekick, a role he would play for the next 20 years or so. In LUCKY BOOTS, Marion Shilling again teams up with Williams, along with Frank Yaconelli for the comedy relief, denying Williams his strong suit and forcing him to be a man of action. Height. LUCKY BOOTS). Actor. Leonard Maltin, in his Movie Encyclopedia lists JUBILO as Williams' first film, although he may have actually appeared on the screen earlier. Then came a series of good supporting roles in a number of various pictures, many focusing on sports and outdoor dramas. Whether he played on a pro team is not known. At the ripe old age of 22 - if we use 1899 as his year of birth - Big Boy got his chance to star when he was given the lead in a series for indie producer/director Charles R. Seeling, for release by Aywon Pictures. He died of uremic poisoning shortly afterwards. Other titles were COWBOY HOLIDAY ('34), BIG BOY RIDES AGAIN ('35), DANGER TRAILS ('35), and GUN PLAY (a.k.a. Perhaps Laemmle gave or loaned director Ulmer to his relatives to help them out. They called him 'BIG BOY' and for good reason - he was big. ChocoTheme by .css{mayo} | powered by WordPress, Dinner and a Movie — At the Waldorf and Warners, Jack & Louise Marino's Errol Flynn 1ooth Centenial Party, An Extraordinary Gentleman-Prof. Lincoln D Hurst. The son of a rancher-turned-politician, Guinn Williams was given the nickname “Big Boy” (and he was, too – 6' 2″ of mostly solid muscle from years of working on ranches and playing semi-pro and pro baseball) by Will Rogers, with whom he made one of his first films, in 1919. Williams starred in his own series of silent westerns and easily made the transition from silents to talkies. Based on these pictures, Williams was considered a fresh, new personality on the Hollywood Western scene. Famous cowboy humorist Will Rogers is alleged to have put this tab on the big strapping youth from Texas named Guinn Williams, who called himself 'Tex' when he met him on the set of Rogers' ALMOST A HUSBAND in 1919 where Williams had a … His zodiac sign is Taurus. He was nicknamed "Big Boy" as he was 6' 2" and muscular from years of working on ranches and playing semi-pro and pro baseball. After attending North Texas State College, Williams played pro baseball and worked as a rodeo rider before heading to Hollywood in his teens to try his luck in films. The beardless Al St. John, playing it fairly straight and before his 'Fuzzy' years, was Stoney Martin (not Stony Brooke as later used in the Republic series and played by Robert Livingston). Names: GUINN "BIG BOY" WILLIAMS: Year Of Birth: Day Of Birth: Place Of Birth: Town Of Birth: Year Of Death: Day Of Death: Best Known: Filmography. But Williams' comedic and happy-go-lucky demeanor did not quite fit him for villain roles and he was more at home in the former. Guinn “Big Boy” Williams brought a very cowboy-like quirkiness to his sidekick roles, making his characters seem rustically eccentric instead of merely stupid.

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